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23 => "create terms in rovat"
24 => "create terms in tags"
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Az <em>Aida</em> szintézis, zártabb számok oldottabb formákkal váltakoznak, magas szinten, mondhatni tökéletesen összeforr benne a régebbi olasz opera énekmódja és a francia nagyopera látványos tömegjelenetei.</span><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">A francia nagyopera hatása, hogy Verdi balett-betéteket alkalmaz, nagy tablókat és áriákat komponál. A kompozícióra jellemző a melódia töretlen vonala, ugyanakkor az is, hogy minden egyes jelenet külön-külön, önmagában is megállja a helyét, a szerző pedig a cselekményes szöveget is melódiába foglalja. A zenekarnak erős hangulatteremtő funkciója van, a kolozsvári bemutatón pedig kiválóan helyt állt Horváth József karmesteri pálcája irányításával. Az énekkarnak is jelentős a szerepe, ezt a román opera besegítő tagjainak nagy száma is mutatja, a teljesítmény pedig magáért beszél.</span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">A főszerepekre a társulatnak kiváló, hangilag alkalmas tagjai vannak. Veress Orsolya fergetegesen alakítja Amnerist, Balla Sándor remek Amonasro, Pataki Adorján dicsőséges hadvezérként és gyöngéd szerelmes Radamesként is egyaránt meggyőző. <em>Aida</em> szerepében Egyed Apollóniát láthatta, hallhatta a május 25-i bemutató közönsége, aki szintén hiteles, meggyőző mind hangilag, mind a szerepformálásban.</span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;"><img alt="" src="/sites/default/files/oldfiles/aida3.jpg"></span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;"><span style="font-family: nerisblack; font-size: 26px; line-height: 32px; margin-bottom: 26px; margin-top: 8px;"><strong>Valós helyszín, kitalált történet</strong></span></span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Az <em>Aida</em> Giuseppe Verdi négyfelvonásos operája, amelyet 1871. december 24-én mutattak be a kairói operaházban. Bár sokan a cím hallatán ma is úgy emlékeznek, az <em>Aida</em> a Szuezi-csatorna megnyitására íródott, ez tévhit. Egyiptom uralkodója, Iszmael alkirály az új kairói operaház megnyitójára rendelte a művet, de a nyitóelőadás végül 1869 novemberében a <em>Rigoletto</em> volt, Verdi ugyanis csak később fogadta el az új opera komponálására vonatkozó kérést. Az <em>Aida</em> európai premierje a milánói Scalában volt 1872-ben, onnan indult diadalútra a nagyobb olasz városokba, sorra következett Bologna, Torino és Parma.</span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">A darab monumentális jelenetei mellett szívhez szólóak a szerelmi, illetve a féltékenységi jelenetek is, mindenikben nagy erők és indulatok mozognak. A szöveget Auguste Mariette francia egyiptológus, régész kisregénye alapján Antonio Ghislanzoni írta. A francia régész Memphisz és Téba környékén végzett ásatások hatására írta meg költői elbeszélését az egyiptomi hadvezér és az etióp királylány szerelméről, és bár a helyszín valós, a történet teljes egészében a romantikus képzelet szüleménye. Verdinek az eredeti kisregényt a <em>Don Carlos</em> egyik szövegírója, Camille du Locle prózában írt vázlatban mutatta meg, mivel tudta, hogy az olasz zeneszerzőt érdeklik a különleges tárgyú operaszövegek. A történet valóban elnyerte Verdi tetszését, és az olasz librettó elkészítésére Antonio Ghislanzonit kérte fel. Az egykori baritonista, a milánói <em>Gazzetta Musicale</em> szerkesztője több mint hatvan szövegkönyvet írt. Korábban is dolgoztak együtt, Verdi elégedett volt <em>A végzet hatalma</em> átdolgozásával, ezért Ghislanzoni a bizalmát élvezte. Az <em>Aida</em> librettója kapcsán azonban a zeneszerző jelentős mértékben beleszólt a szövegkönyvbe, olykor még a versmértéket is előre megszabta, egyes jeleneteket ő vizionált, a zárókép pedig teljesen Verdi elképzelése szerint lett megírva.</span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;"><span style="font-family: nerisblack; font-size: 26px; line-height: 32px; margin-bottom: 26px; margin-top: 8px;"><strong>Egyiptomi motívumok a színpadon</strong></span></span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Mivel az <em>Aida</em> cselekménye fiktív, nem meghatározott korhoz kötött, az ókori Egyiptom története pedig jó 3000 évet ölel fel, így nem könnyű a legautentikusabb díszletet, jelmezt megtalálni, alkalmazni, éppen ezért is szoktak a modern produkciók kortalan kereteket rajzolni. A mostani kolozsvári produkcióban Selmeczi György rendező a látványterv elkészítésére Gothár Péter Kossuth- és Balázs Béla-díjas filmrendezőt kérte fel. A néző jellegzetes egyiptomi motívumokat lát a főbb jelenetekhez társítva, gyönyörű hieroglifákat, emellett ott a jellegzetes papi viselet is. A jelmezek – különösen a női főszereplőké – viszont már más kódrendszerben készültek, és míg Amneris öltözetén találunk egyiptominak nevezhető elemeket, addig Aida ruhája teljesen a személyes szerelmi szál mentén értelmezhető. Bár etióp, a bőrszín nem játszik szerepet az előadásban, talán csak a rabszolgául ejtett etiópok hajviseletében vélhetjük felfedezni az összefüggést. A színpadképben ott vannak a piramisok, amelyekbe egyes jelenetekben a kórus tagjai „beköltöznek”, a zárójelenetben pedig e hatalmas tömbök képezik a szerelmesek földalatti börtönének falait, a helyszín jelzésén túl azonban nem különösebben funkcionálisak.</span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;"><img alt="" src="/sites/default/files/oldfiles/aida1.jpg"></span></p><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Vannak, akik attól féltik a műből készülő előadásokat, nehogy az egzotikus történelmi keret kínálta lehetőségek által elhomályosodjon a történet emberi vonatkozása: hiszen a szerelmi háromszög, a két erős jellemű királylány szerelmi vetélkedése, illetve a szerelmesek különböző származásából következő eltérő hazaképe külön-külön is hangsúlyos témák. A kolozsvári előadásban a történelmi keret, a hazafiasság más-más vonatkozása, illetve a két haza szembenállása a színpadképben semmiképp nem nyomja el a szerelmi szálat, sőt inkább ez utóbbi az erőteljesebb az előadás egészében. Talán ott érhető ez leginkább tetten, ahol a győzelmi jelenetben a fenséges zene fenségesen meg is szólal, ugyanakkor nincs be- vagy felvonulása se a hős, győztes seregnek, se a hadvezérnek. Ugyanakkor Amneris féltékenységben tépelődő, bosszút forraló jelenetében a feszültség valóságosan tapintható, a zárójelenet szerelmi kettősének gyöngédsége pedig igazán megérinti a nézőt.</span></p><div style="border-bottom:2px solid #055A63;border-top:2px solid #055A63;color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:26px;margin-top:8px;text-align:left;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;"><em>Az előadásban közreműködik a Kolozsvári Magyar Opera ének-, zene- és balettkara. Karmester Horváth József, karigazgató Kulcsár Szabolcs, koreográfus Jakab Melinda. Szereposztás: Aida, rabnő, Amonasro etióp király lánya – Egyed Apollónia; Radames, egyiptomi fővezér – Pataki Adorján; Amneris, a lánya – Veress Orsolya; Amonasro, Etiópia királya – Balla Sándor; Ramphis, főpap – Alin Anca; Egyiptom királya – Molnár Zoltán; főpapnő – Covacinschi Yolanda; hírnök – Bardon Tony. Papok – Varga Attila, Varga János, Krajczár Mihály, Lőrincz Norbert, Andrei Șofron, Celestin Pandrea, Gelu Moldovan, George Godja és Mihai Lupu. Közreműködnek Ádám Éva, Balázs Borbála, Hary Judit, Jordán Éva, Székely Zsejke, Vigh Ibolya és Pál Kincső énekművészek. Látványtervező Gothár Péter, jelmeztervező Ledenják Andrea, szcenika Venczel Attila, hangversenymester Barabás Sándor és Ferenczi Endre, korrepetitor Incze G. Katalin, Horváth Zoltán és Nagy Gergő, súgó Kondrát Bea és Kostyák Júlia, ügyelő Venczel Péter. Rendezőasszisztens Jancsó Hajnal, rendező Selmeczi György.</em></span></div><p style="font-family:nerislight;color:#48484a;font-size:16px;line-height:20px;text-align:left;margin-bottom:19px;display:block;"><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;"><strong><span style="font-size:14px;">Fotók: Jelenetek a Kolozsvári Magyar Opera <em>Aida </em>című előadásából. Fotók forrása: Kolozsvári Magyar Opera</span></strong></span></p></p>\n"
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