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12 => "taxonomy"
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"id" => "content_editor"
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0 => "access administration pages"
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3 => "access files overview"
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5 => "access site in maintenance mode"
6 => "access taxonomy overview"
7 => "access toolbar"
8 => "access user profiles"
9 => "administer comments"
10 => "administer member order entities"
11 => "administer nodes"
12 => "bypass node access"
13 => "create article content"
14 => "create extra content"
15 => "create field_premium_tartalom"
16 => "create field_public_author"
17 => "create nevnapok content"
18 => "create packages content"
19 => "create page content"
20 => "create partner content"
21 => "create reklam content"
22 => "create terms in aprohirdetes_kategoriak"
23 => "create terms in rovat"
24 => "create terms in tags"
25 => "create url aliases"
26 => "delete all revisions"
27 => "delete any aprohirdetes content"
28 => "delete any article content"
29 => "delete any extra content"
30 => "delete any file"
31 => "delete any nevnapok content"
32 => "delete any newspaper content"
33 => "delete any packages content"
34 => "delete any page content"
35 => "delete any partner content"
36 => "delete any reklam content"
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40 => "delete own files"
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42 => "delete own newspaper content"
43 => "delete own packages content"
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45 => "delete own partner content"
46 => "delete own reklam content"
47 => "delete terms in aprohirdetes_kategoriak"
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51 => "edit any article content"
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55 => "edit any packages content"
56 => "edit any page content"
57 => "edit any partner content"
58 => "edit any reklam content"
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60 => "edit field_premium_tartalom"
61 => "edit field_public_author"
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64 => "edit own article content"
65 => "edit own comments"
66 => "edit own extra content"
67 => "edit own field_premium_tartalom"
68 => "edit own field_public_author"
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71 => "edit own packages content"
72 => "edit own page content"
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88 => "revert reklam revisions"
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92 => "view all revisions"
93 => "view aprohirdetes revisions"
94 => "view article revisions"
95 => "view extra revisions"
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"fetcher" => array:2 [
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"value" => "<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">A művészi fantázián, forma- és színérzéken, kézügyességen kívül különleges anyagismeretet, technikai felkészültséget, tudást igényel. De mindezek megléte mellett is ott a kiküszöbölhetetlen véletlen, az egyik lényeges munkafolyamat, az égetés során fellépő meglepetés. Ami lehet pozitív, de lehet negatív előjelű is. S ez velejárója a klasszikus értelemben vett kerámiakészítésnek, de az újra felfedezett ősrégi technikának, a manapság egyre nagyobb népszerűségnek örvendő rakunak is. </span><p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Palkó Ernő mindkét eljárás avatott mestere. S úgy tűnik, eljutott alkotói pályája új, </span></p><p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">eddigi legösszetettebb, legkomplexebb szakaszához. Mert igaz ugyan, hogy mindaz, amit jelenlegi, Terra magica című kiállításán felkínál nekünk, következetes folytatása eddigi munkásságának, az eredmény, azaz tárlatának összhatása egyenesen sokkoló. A művész ugyanis a kerámia határait döngeti, és át-átlép a szobrászat területére. Munkái igénylik, de alakítják is maguk körül a teret. S itt most nem csupán nagy méretű, egyértelműen figurális alakzataira gondolok, a velencei karneválok hangulatát idéző, maszkszerű büsztjeire, hanem az ősi, termékenységi mítoszok világát sejtető, apró, de monumentális hatást keltő figuráira, valamint a figuralitást csupán sejtető, egyedi, biomorf alakzataira. Variációkra, amelyek a szüntelen alakulásban lévő mozgó világ egy-egy állandóvá merevített pillanatának állítanak maradandó emléket. A megfoghatatlan és megállíthatatlan időnek, a maga mulandóságában örök pillanatnak. A pillanatnak, amely egybekapcsol múltat és jelent.</span></p><p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Talán ezért is tűnik úgy, hogy az ízig-vérig kortárs művész Palkó Ernő választékos kerámia nyelvezete a maga puritán szépségében mintha egyenesen prehisztorikus időkig nyúlna vissza, az őskori, mellébeszélés nélküli direkt fogalmazásmódban találna igazán önmagára. Ez a meglehetősen merésznek számító művészi attitűd rejt ugyan veszélyeket magában, hozadéka viszont felbecsülhetetlen. </span></p></p>\n"
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<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Valami nagyon mély és nagyon igaz művészi üzenet hordozói ezek a tömörségükben már szinte perzselő formák. Mintha az ősi világ csodái, a régmúlt misztériuma kelne életre, születne újjá 21. századi, modern köntösben, s nyerne polgárjogot a vizuális művészetek egyre komplexebb, egyre gazdagabb s egyre variáltabb palettáján.</span></p>\n
\n
<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">A föld, a tűz, a víz és a levegő – művészetének alapelemei. Általuk mintha magába a genezis rejtelmeibe is bepillantást engedne a keramikus. A káoszból születő rendbe, a természeti törvények szabályozta fény-, szín- és formaváltozatok világába. Az alakulás és átalakulás folyamatába. Abba a belső rendbe, a természet nagy egészébe, aminek a művész maga is terméke. S ahogyan minden állandó mozgásban van, ahogyan egyik forma szüli a másikat, olyanformán születnek a művészi elképzelések, emóciók és gondolatok nyomán a tűzben edzett, vízzel, levegővel moderált, anyaföldből táplálkozó Palkó-kerámiák. Amelyek az agyagba merevített tünékeny, múló lét és az örökkévalóság egymást kizáró, de ugyanakkor egymást feltételező antinómiáját oldják békévé. Méghozzá a legcélratörőbb, legsallangtalanabb, legkifejezőbb formában. </span></p>\n
\n
<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Palkó Ernő úgy lépett előre, úgy volt képes megújulni, hogy felhasználta mindazt az évtizedek alatt megszerzett tapasztalatot, amelynek nyomán megteremtette markánsan kifejező, választékos fordulatokban bővelkedő, egyedi kerámia nyelvezetét, sajátos stílusát.</span></p>\n
\n
<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Ez a megőrizve megújulás észlelhető legújabb alkotásain is. Az összekötő kapocs pedig a hullámzás, a röpködő gondolatok és hirtelen feltörő érzelmek hullámzása, amely egymásba hajló, egymást kiegészítő vagy éppenséggel egymással feleselő formákban ölt testet, a legbizarrabb formavariációknak is teret engedve. A párhuzamosan futó, szabálytalanul szabályos hullámvonalak pedig kiemelik, hangsúlyozzák a művészi elképzelés és a véletlen szimbiózisából született, olykor a könnyed játékosság, olykor pedig a komoran súlyos, tömör formák keltette hatást.</span></p>\n
\n
<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">A művész a figuralitást csak enyhén sejtető formáktól jut el a konkrétumokig, a hangsúlyos domborulatokat megjelenítő, lírai hangvételű női torzókig és gunyorosan komor karneváli maszkot vagy éppenséggel önmaga benső énjét, érzelemvilágát felvillantó portrékig. S miközben sorra vesszük a torzókban megformált emberi alakváltozatok sokaságát, a gyakorta felbukkanó, egymást megtámasztó, egymásba omló páros alakváltozatokat, eljutunk az angyalok sugallta szárnyalás momentumáig: a felemelkedés pillanatát mindössze szégyenlősen sejtető formáktól a konkrét megjelenítésekig.</span></p>\n
\n
<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">Földszínek és türkizes fények, ragyogások közepette tárja elénk a művész térbe fogalmazott vagy éppenséggel síkban, kerámia képekben megjelenített, sajátosan komplex művészi világát, amelynek elmaradhatatlan tartozéka az univerzumot uraló m</span></p>\n
\n
<p><span style="color:#48484a;display:block;font-family:nerislight;font-size:16px;line-height:20px;margin-bottom:19px;text-align:left;">mozgás, a hullámvonalak párhuzamaival érzékeltetett, dinamikus zsongás. Miáltal geometrikus alakzatok változnak organikusakká, belső energiáktól duzzadó, vérbő, ősrégi termékenységi mítoszok ihlette formációkká, antropomorf torzókká. Mintha egyfajta történelem előtti korokba nyúló, animisztikus tárgyalkotási elképzelés kelne életre, konkretizálódna ezekben az öntörvényű, posztmodern, figurális-félfigurális alakzatokban. A művész lelket lehel az amorf anyagba, azáltal, hogy megtestesíti a tudatalattijában fogantakat, hogy szemlélhetővé-tapinthatóvá lényegíti elképzeléseit, vágyait, emócióit, kétségeit és bizonyosságait. Évtizedek kemény munkája által megszerzett tapasztalatait felhasználva lép előre, de úgy, hogy megőrzi a kezdeti lépések hamvasságát, azt az ösztönösséget, amely alkotásainak sava-borsát adja. Egyfajta beolvadás, egyfajta azonosulás ez az eredetekkel, a legeslegtisztább forrással. Amelynek alkotó és alkotás egyaránt elválaszthatatlan része, összetevője. A varázslatos föld, a Terra magica pedig megnyílik előttünk, és feltárja titkait.</span></p>
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